Ismail Yassine fil ustul
| 1957Directed by: Fatin Abdulwahhab
Main Plot
"Ismail Yassine fil ustul" is an Egyptian comedy film directed by Fatin Abdulwahhab. The story revolves around Ismail Yassine, who plays a struggling actor trying to make a name for himself in the entertainment industry. Despite his best efforts, Ismail faces numerous setbacks and comedic mishaps that keep his career from taking off. His journey is filled with humorous encounters and misunderstandings, particularly involving other theater actors and producers who are skeptical of his talents. As Ismail navigates through these challenges, he finds himself in a series of absurd and funny situations that highlight his perseverance and unique approach to solving problems. The film uses satire to comment on the difficulties faced by actors in the film industry, making light of the rejection and unpredictability they often encounter. Through his misadventures, Ismail remains determined to achieve his dream of becoming a successful actor, showing resilience and optimism amidst the chaos. The movie is celebrated for its witty dialogue and Ismail Yassine's comedic timing, making it a beloved classic in Egyptian cinema.
Characters
- Ismail Yassin plays a poor man pretending to be a wealthy businessman to win over a woman and her greedy mother, leading to comedic situations.
- Zahrat El-Ula plays a seductive dancer who manipulates Ismail Yassine, leading him into humorous and challenging situations throughout the film.
- Abdel Moneim Ibrahim plays a comedic role as Ismail Yassine's friend, aiding in various schemes and providing comic relief throughout their misadventures.
Ending Explained
In the Egyptian comedy film "Ismail Yassine fil ustul" directed by Fatin Abdulwahhab, the story revolves around Ismail Yassine, who plays a poor young man struggling to find employment to support his mother and himself. The plot thickens as Ismail, in his quest for a job, impersonates a police officer after finding a police uniform. This disguise leads him into a series of comedic situations where he inadvertently becomes involved in capturing actual criminals, despite his initial intentions merely to use the uniform to gain respect and find work. As the film approaches its conclusion, Ismail's true identity and the fact that he is not a real police officer are inevitably discovered. However, instead of facing severe consequences for impersonating an officer, Ismail is celebrated as a hero. His brave albeit accidental actions lead to the capture of a notorious gang. The film ends on a positive note with Ismail being offered a legitimate position in the police force, recognizing his courage and natural aptitude for the role. This resolution not only solves his employment problems but also elevates his social standing and allows him to continue supporting his mother. The film concludes with a humorous twist on justice and identity, encapsulating the blend of comedy and drama characteristic of Ismail Yassine’s films.